If you are including dialogue, set it out by including the character name first. You could also go for a dialogue-free scene if you’re focusing on visual storytelling. Of course, your characters don’t have to speak straight away. When you have set up the scene with description and action, your characters should then speak. When introducing characters for the first time, capitalization makes it clear when someone new is appearing on screen. Notice the capitalization of “Harvey” and the “students”. HARVEY pushes and shoves through the crowd of chattering STUDENTS. Then you’d include the action that the audience will see. A screenplay is very different to a piece of prose.Ī bustling hallway. Remember to be sparing with your description. This is a short, sharp overview of the visuals on screen. Plus, managers and agents have an easy-to-digest vision of your voice and talent. This not only gets your foot in the door but allows you to connect with other like-minded filmmakers. You can do this all yourself as well as fundraising from outside sources. Creating and distributing a short film is manageable for most aspiring filmmakers. A calling card for the wider film world!ĭon’t forget that filmmaking is expensive. So if you are just starting out, we recommend writing a short film to get your work noticed. The essence of the story and the character arcs are identical. We can compare any feature film that’s live-action to a short film. Paul Lucey used the phrase “Good things come in small packages”, perfect to apply to short films. Yes, of course, you could, but there are more similarities between the two than you might think. ‘Couldn’t I write a feature film?’ we hear you ask. But why would you want to write a short film? Well, they can catapult you into the industry, giving you ample opportunity to show off your skills in writing, directing, or producing (or all three!).
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